dr. Kate Huber
Universitair docent
TSHD: Tilburg School of Humanities and Digital Sciences
TSHD: Department of Culture Studies
Vakken
- Humanities in the Digital Age
- Participatory Art
- Fem Artists & Intellectuals in Pub Sph
- Digital Media Aesthetics
- Intermediality
- Interpretation of Cultural Expressions
- New Private and Public Spheres
Recente publicaties
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Aural Interruptions: The Politics of Sound in Teresa Deevy's Radio Pl…
Huber, K. (2024). Aural Interruptions: The Politics of Sound in Teresa Deevy's Radio Plays. Review of Irish Studies in Europe, 7-23. https://risejournal.eu/index.php/rise/article/view/3240 -
''The bog is a technology of its own”: Rupturing the Logic of Natural…
Huber, K. M. (2024). ''The bog is a technology of its own”: Rupturing the Logic of Natural Resource Development in Risteard Ó Domhnaill’s The Pipe. ISLE: Interdisciplinary Studies in Literature and Environment, 31(1), 176-199. -
“'You will see beauty when this forest grows': Migration, Environment…
Huber, K. (2024). “'You will see beauty when this forest grows': Migration, Environment, and Belonging in Denise Chaila’s Music Videos Anseo and Duel Citizenship". Paper presented at The Aesthetics of Geopower: Imagining Planetary Histories and Hegemonies. -
“Aural Interruptions: The Politics of Sound in Teresa Deevy’s Radio P…
Huber, K. (2023). “Aural Interruptions: The Politics of Sound in Teresa Deevy’s Radio Plays”. Paper presented at American Conference for Irish Studies. -
Decolonizing Irishness: Assertions of Afro-Irish Self-Determination i…
Huber, K. M. (2023). Decolonizing Irishness: Assertions of Afro-Irish Self-Determination in Nicky Gogan and Paul Rowley’s Seaview and Melatu Uche Okorie’s This Hostel Life. Interventions, 25(6), 775-804.